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CHAPTER 1
Banjo
Basics;
Fingerpicks
The Shoulder
Strap;
Holding the
Banjo
Right-Hand
Exercises;
The Thumb
Pushes;
Tablature
Right-Hand
fingers;
Right-Hand
Anchor; The
fingers Pull
Left-Hand
Exercises
Left-Hand
Finger
Placement;
Chords;The
Basic Roll;
Chord
Diagrams;
Chapter
Summary
CHAPTER 2
Notes on
the Banjo;
The G Major
Scale; our
First Song
Camptown
Races;
Memorizing
songs
Accompaniment;
Counting
Time;
Strumming
Rhythm Our
Second Song:
Oh! Susanna;
Eighth Notes
and Pick-up
Notes Rhythm
Pick
Pattern;
Note Stems;
The Extended
Scale Yankee
Doodle; The
Tie; Call
and
Response;
Annoying
Banjos
Assigning
Right-Hand
Fingers; The
Bar; more
Annoying
Banjos The
Alternating
Roll;
Maintaining
a Beat;
Performing
Annoying
Banjos; The
Repeat Sign
CHAPTER 3
Quarter
Notes Versus
eighth
Notes;
Chords in
Tab Simple
Song;
Tapping the
Beat; The
Hammer-on
The Slide;
Timing the
Slide;
Simple song
with Added
Slides
Combining
slides and
Hammer-ons;
Sixteenth
Notes; The
Pull-off
Parts of a
Song;
Cripple
Creek (Part
B); A Roll
is a Roll;
1st and 2nd
Endings;
Cripple
Creek (Part
A) The
Forward /
Backward
Roll; Tag
Endings and
a Rule of
Thumb;
Banjos And
Gourds
Tuning the
Banjo
Right-Hand
Position for
Rhythm;
Variations
to a Melody;
"Cripple
Creek"
Melody
Variation
Octaves;
Arranging a
Fiddle Tune
Cripple
Creek (full
arrangement);
Transitioning
Between
Parts;
Chapter
Summary
CHAPTER 4
The
Forward
Roll; Boil 'Em
Cabbage
Down; The G
Scale on
String 3
Position
Playing;
Boil 'Em
Cabbage Down
(Variation);
Harmonizing
a Melody
Syncopation;
Extending
Rolls; Banks
Of The Ohio
Varying
Familiar
Rolls;
Golden Wings
D, E minor,
and A
chords; Lead
Sheets
Approximating
the Melody;
Long Journey
Home (Basic
Solo)
Embellishing
a Basic
Melody;
Tagging a
Solo Long
Journey Home
(Embellished
Solo);
Common Song
Structures;
Finishing
Licks Old
Joe Clark;
The
Appalachian
Sound and
Blue Notes
CHAPTER 5
Playing
in ¾ Time;
Playing by
Ear Filling
the Beats; ¾
Time Rhythm
Imitating
the Singer;
Amazing
Grace; Cord
Substitutions
Rolls in ¾
Time; Down
In The
Willow
Garden
Additional ¾
Time Rolls;
Nobody's
DarlingTriplets;
Playing with
a Bounce;
Rolling
Rhythm; In
The Pines
CHAPTER 6
Using a
Capo; Tuning
the 5th
String
Finding Your
Key; A New
Forward
Roll; A New
Tag Lick
Bury Me
Beneath The
Willow;
Choosing
Rolls;
Combining
Rolls Circle
Be Unbroken;
More Picking
by Ear; Ode
To Joy
Dotted
Notes; A
Two-Finger
Roll; Great
Speckled
Bird
CHAPTER 7
Naming
Notes on the
Banjo;
Naming Notes
on String
Four
Moveable
Chords: The
F Form; The
Swing Roll;
The 12 Bar
Blues
Filling the
Rest; Naming
Notes on
String Three
and Inlay
Markers The
Bar Form;
Harmonizing
the 12 Bar
Blues;
Naming Notes
on String
Two The D
Form;
Combining
Chord Forms
in a Song;
Blackberry
Blossom
(Part A);
Moveable
Chord Forms
in Rhythm
The
Boom-Chick
Pattern;
Blackberry
Blossom
(Part B)
Harmony to
"Blackberry
Blossom";
Naming Flats
CHAPTER 8
The
Generic
Major Scale;
Chords in
Numbers;
Roman
Numerals and
The Guitar
Keys Playing
Rhythm by
Numbers
Another 12
Bar Blues;
Characteristics
of the Blues
Reno, or
Single-String
Style; Reno
Style Blues
Lead;
5-String
Blues
Embellished
Blues
Rhythm;
Another
Blues Lead;
5-String
Boogie The
Triplet in
Blues;
Ending a
Blues Solo
CHAPTER 9
Practicing
Effectively;
Tracking
Your
Repertoire A
Warm-Up
Exercise;
The Foggy
Mountain
Breakdown
(FMB) Roll
Variations
of the FMB
Lick; Train
45 Swapping
D Licks;
Common Time
Verses Cut
Time; Using
a Metronome
CHAPTER 10
Melodic
Style; A
Moveable
Minor Form
Devil's
Dream;
Rhythm with
Closed
Chords;
Extending
the Melodic
Scale
Alternative
G Melodic
Scale;
Swapping
Finishing
Licks;
Blackberry
Blossom
(Part A -
Melodic)
Combining
Single-String
and Melodic
Styles;
Beyond the
Key of G
Melodically;
Arranging
Rhythm
Playing on
the &; Red
Haired Boy;
Finishing
Licks with
Pick-up
Notes
CHAPTER 11
Playing
Up the Neck;
The E minor
Position;
Cumberland
Gap Playing
Melody with
Chord
Positions;
Boil 'Em
Cabbage Down
(Up the Neck
Variations)
Adding
Melody Notes
to Chord
Positions;
Mountain Dew
The Choke
Lick; The C9
and D
Augmented
Position:
5-String
Boogie More
Syncopation;
Sally Goodin
CHAPTER 12
Beginning
and Ending
Songs; The
Potato
Intro; Four
Potatoes
Allowing for
Pick-up
Notes;
Golden
SlippersPotato
Varieties;
Partial
Melody as an
Intro; 4th
String
Lead-ins
Lead-ins
with Pick-up
Notes; 3rd
String
Lead-ins;
2nd String
Lead-ins 1st
String
Lead-ins;
5th String
Lead-ins;
Vocal Tag
and Final
Ending More
Final
Endings; Tag
Endings;
Shave and a
Haircut
Endings
Pre-Endings;
Common Pre-
and Tag
Ending
CHAPTER 13
Embellished
Back-Up;
Down the
Neck Back-Up
Up the Neck
Back-Up;
"Salty Dog"
Solos
Vamping
Back-Up;
Arranging
"Salty Dog"
Salty Dog
(Full
Arrangement)
Rolling
Back-Up Vamp
and Fill
Back-Up;
Rolling
Back-Up with
Fills
Backing
Instrumental
Solos; Solos
for "New
River Train"
Arranging
"New River
Train" New
River Train
(Full
Arrangement)
CHAPTER 14
Areas of
Further
Study; More
Songs;
Little
Maggie When
The Saints
Go Marching
In Bill
Cheatham
When You And
I Were
Young,
Maggie Red
River Valley
End of
Chapter
Quizzes
(Chapters
1-4)
End of
Chapter
Quizzes
(Chapters
4-7)
End of
Chapter
Quizzes
(Chapters
8-11)
End of
Chapter
Quizzes
(Chapters
12-13)
Song Lyrics;
Acknowledgments
Track
Listing, CD
#1
Track
Listing, CD
#2; Index of
Songs
Tablature
Guide
Common
Chords in G
Tuning;
Moveable
Chord Forms
About the
Author
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